{"id":308,"date":"2026-10-10T13:32:24","date_gmt":"2026-10-10T13:32:24","guid":{"rendered":"https:\/\/pianissimo.cz\/?page_id=308"},"modified":"2026-10-10T16:47:36","modified_gmt":"2026-10-10T16:47:36","slug":"prehled-kurzu-mc","status":"publish","type":"page","link":"https:\/\/pianissimo.cz\/?page_id=308","title":{"rendered":"P\u0159ehled kurz\u016f MC"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\">P\u0159ehled kurz\u016f Metodick\u00e9ho centra<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Frekventanti kurz\u016f MC maj\u00ed pr\u00e1vo po\u017e\u00e1dat sv\u00e9ho zam\u011bstnavatele o \u00fahradu poplatk\u016f za kurzy DVPP<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Z\u00e1kladn\u00ed kurz:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Kurz \u010d. 1<\/strong>&nbsp;\u2013 Sou\u010dasn\u00e9 trendy klav\u00edrn\u00ed pedagogiky a hry instruktivn\u00ed literatury \u2013 \u010dty\u0159semestr\u00e1ln\u00ed kurz \u2013 poplatek 10 000 K\u010d (poplatek 10 000&nbsp;K\u010d za semestr zahrnuje teoretick\u00e9 p\u0159edm\u011bty + 10 povinn\u00fdch individu\u00e1ln\u00edch lekc\u00ed. Mo\u017en\u00e9 dal\u0161\u00ed individu\u00e1ln\u00ed lekce nap\u0159. improvizace, jedna individu\u00e1ln\u00ed lekce = 500&nbsp;K\u010d)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">N\u00e1sledn\u00e9 kurzy:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Kurz \u010d. 2<\/strong>&nbsp;\u2013 Stylov\u00e1 klav\u00edrn\u00ed interpretace a modern\u00ed teorie klav\u00edrn\u00ed hry \u2013 \u010dty\u0159semestr\u00e1ln\u00ed kurz (poplatek 4500 K\u010d za semestr zahrnuje hromadn\u00e9 lekce, 1 individu\u00e1ln\u00ed lekce = 500 K\u010d)<\/li>\n\n\n\n<li><strong>Kurz \u010d. 3<\/strong>&nbsp;\u2013 Praktick\u00e1 aplikace modern\u00edch studijn\u00edch materi\u00e1l\u016f a u\u010debn\u00edch pom\u016fcek ve v\u00fduce klav\u00edrn\u00ed hry \u2013 \u010dty\u0159semestr\u00e1ln\u00ed kurz (poplatek 4500 K\u010d za semestr zahrnuje hromadn\u00e9 lekce, 1 individu\u00e1ln\u00ed lekce = 500 K\u010d)<\/li>\n\n\n\n<li><strong>Kurz \u010d. 4<\/strong>&nbsp;\u2013 Didaktika profesion\u00e1ln\u00ed p\u0159\u00edpravy klav\u00edrist\u016f do um\u011bleck\u00e9 a pedagogick\u00e9 praxe \u2013 \u010dty\u0159semestr\u00e1ln\u00ed kurz (poplatek 4500 K\u010d za semestr zahrnuje hromadn\u00e9 lekce, 1 individu\u00e1ln\u00ed lekce = 500 K\u010d)<\/li>\n\n\n\n<li><strong>Kurz \u010d. 5&nbsp;<\/strong>\u2013 Klub absolvent\u016f kurz\u016f MC \u2013 klav\u00edr (poplatek 4000 K\u010d za dva semestry)<\/li>\n\n\n\n<li>&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Poradensk\u00e1 \u010dinnost MC<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pro pedagogy a studenty, kte\u0159\u00ed nejsou frekventanty \u017e\u00e1dn\u00e9ho kurzu MC HF JAMU, \u010din\u00ed poplatek za individu\u00e1ln\u00ed lekci 600 K\u010d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Z\u00c1KLADN\u00cd KURZ<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kurz \u010d. 1 \u2013 Sou\u010dasn\u00e9 trendy klav\u00edrn\u00ed pedagogiky a hry instruktivn\u00ed literatury<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kurz je \u010dty\u0159semestr\u00e1ln\u00ed. Obsahuje v\u00fduku Metodiky (36 hodin), Hudebn\u00ed pedagogiky (18 hodin), Hudebn\u00ed psychologie (18 hodin), Interpreta\u010dn\u00ed semin\u00e1\u0159 (18 hodin) a Pedagogick\u00fd semin\u00e1\u0159 (18 hodin) v hromadn\u00fdch p\u0159edm\u011btech a individu\u00e1ln\u00ed v\u00fduku Hry na klav\u00edr (20 hodin), a Vyu\u010dovatelsk\u00e9 praxe (20 hodin). Za poplatek 500 k\u010d si lze doobjednat individu\u00e1ln\u00ed lekce nap\u0159. Improvizace, Korepetice nebo Hra na cembalo. V&nbsp;r\u00e1mci p\u0159edm\u011btu Osobn\u00ed kreativita poskytuje t\u00e9\u017e mo\u017enost konzultac\u00ed z\u00e1v\u011bre\u010dn\u00e9 p\u00edsemn\u00e9 pr\u00e1ce z&nbsp;Metodiky klav\u00edrn\u00ed hry, p\u0159\u00edpravu odborn\u00fdch \u010dl\u00e1nk\u016f a p\u0159\u00edsp\u011bvk\u016f do diskus\u00ed a publikac\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kurz umo\u017e\u0148uje frekventant\u016fm z\u00edskat nejnov\u011bj\u0161\u00ed poznatky z metodiky klav\u00edrn\u00ed hry, rozvinout svou hru na n\u00e1stroji se zam\u011b\u0159en\u00edm na reperto\u00e1r, kter\u00fd vyu\u010duje pedagog na p\u0159\u00edslu\u0161n\u00e9m stupni a zam\u011b\u0159en\u00ed \u0161koly, konzultovat v\u00fdkony sv\u00fdch \u017e\u00e1k\u016f bu\u010f \u017eiv\u011b nebo prost\u0159ednictv\u00edm zvukov\u00fdch nebo i obrazov\u00fdch z\u00e1znam\u016f sv\u00e9 v\u00fduky na pracovi\u0161ti, sledovat v\u00fdsledky soudob\u00e9 hudebn\u00ed pedagogiky a psychologie. Jednotliv\u00e9 semestry jsou krom\u011b metodologick\u00fdch a teoreticko-praktick\u00fdch aspekt\u016f p\u0159\u00edslu\u0161n\u00fdch discipl\u00edn orientov\u00e1ny i na rozvoj soci\u00e1ln\u011b psychologick\u00fdch a komunikativn\u00edch dovednost\u00ed pedagog\u016f v souvislosti s hodnocen\u00edm v\u00fdkon\u016f a pr\u00e1ce \u017e\u00e1ka zejm\u00e9na na pedagogick\u00fdch a interpreta\u010dn\u00edch semin\u00e1\u0159\u00edch. B\u011bhem kurzu jsou poslucha\u010di sezn\u00e1meni se z\u00e1klady pedagogicko-psychologick\u00e9 diagnostiky a s hlavn\u00edmi aspekty p\u0159\u00edpravy hudebn\u00edka na ve\u0159ejn\u00e9 vystoupen\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Metodika klav\u00edrn\u00ed hry:<\/strong>&nbsp;rozv\u00edjen\u00ed tvo\u0159iv\u00e9 um\u011bleck\u00e9 osobnosti prost\u0159ednictv\u00edm klav\u00edrn\u00ed hry; v\u00fdchova hlubok\u00e9ho emocion\u00e1ln\u00edho vn\u00edm\u00e1n\u00ed a pro\u017e\u00edv\u00e1n\u00ed pozitivn\u00edch vztah\u016f k lidem i k p\u0159\u00edrod\u011b; srovn\u00e1n\u00ed modern\u00edch a zastaral\u00fdch metodick\u00fdch postup\u016f v klav\u00edrn\u00edm vyu\u010dov\u00e1n\u00ed, vzhledem k prom\u011bn\u00e1m zp\u016fsobu \u017eivota a pot\u0159eb \u017e\u00e1k\u016f; p\u0159ehled modern\u00edch element\u00e1rn\u00edch klav\u00edrn\u00edch \u0161kol u n\u00e1s a v zahrani\u010d\u00ed; rozvoj hudebnosti \u017e\u00e1k\u016f: v\u00fdchova metro-rytmick\u00e9ho c\u00edt\u011bn\u00ed, pr\u00e1ce s v\u00fd\u0161kou, barvou a dynamikou t\u00f3nu, rozv\u00edjen\u00ed tvo\u0159ivosti \u017e\u00e1k\u016f, z\u00e1klady anal\u00fdzy skladeb od prvopo\u010d\u00e1tk\u016f v\u00fduky, prvky hudebn\u00edch forem, harmonie, improvizace; pr\u00e1ce s \u0159\u00edkadlem a p\u00edsn\u00ed; postup p\u0159i z\u00edsk\u00e1v\u00e1n\u00ed klav\u00edrn\u00ed techniky vytv\u00e1\u0159en\u00e9 na z\u00e1klad\u011b priority z\u00e1m\u011bru hudebn\u00edho vyj\u00e1d\u0159en\u00ed; z\u00e1klady pr\u00e1ce s hudebn\u00edm textem a hra z not; individu\u00e1ln\u00ed a vyv\u00e1\u017een\u00fd zp\u016fsob volby reperto\u00e1ru pro \u017e\u00e1ky ZU\u0160. Jak studovat skladbu a nach\u00e1zet optim\u00e1ln\u00ed zp\u016fsoby spolupr\u00e1ce s rodi\u010di p\u0159i vytv\u00e1\u0159en\u00ed spr\u00e1vn\u00fdch n\u00e1vyk\u016f efektivn\u00edho cvi\u010den\u00ed; interpretace jako prost\u0159edek emocion\u00e1ln\u00edho sebevyj\u00e1d\u0159en\u00ed, komunikace a radostn\u00e9ho tvo\u0159en\u00ed i vn\u00edm\u00e1n\u00ed hudby \u017e\u00e1ky.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Hra na klav\u00edr:<\/strong>&nbsp;individu\u00e1ln\u00ed v\u00fduka vych\u00e1z\u00ed ze specifick\u00fdch pot\u0159eb ka\u017ed\u00e9ho studuj\u00edc\u00edho pedagoga. Z\u00e1kladem je pr\u016f\u0159ez reperto\u00e1rem, kter\u00fd je obvykle prob\u00edr\u00e1n na z\u00e1kladn\u00edm a st\u0159edn\u00edm stupni, av\u0161ak s p\u0159edpokladem co nejdokonalej\u0161\u00edho profesion\u00e1ln\u00edho um\u011bleck\u00e9ho proveden\u00ed. Prob\u00edran\u00e1 l\u00e1tka zahrnuje klav\u00edrn\u00ed \u0161koly, technick\u00e1 cvi\u010den\u00ed a etudy, skladby polyfonn\u00ed a dal\u0161\u00ed p\u0159ednesov\u00fd reperto\u00e1r ze v\u0161ech stylov\u00fdch obdob\u00ed. Obt\u00ed\u017enost skladeb odpov\u00edd\u00e1 obvykl\u00e9 \u00farovni prvn\u00edho a druh\u00e9ho stupn\u011b ZU\u0160. Pedagogov\u00e9 jin\u00fdch \u0161kol hraj\u00ed reperto\u00e1r dle u\u010debn\u00edch pl\u00e1n\u016f sv\u00e9ho pracovi\u0161t\u011b. V kurzu vyu\u010duj\u00ed pedagogov\u00e9 JAMU, kte\u0159\u00ed jsou vyu\u010duj\u00edc\u00edmi hlavn\u00edho oboru Hra na klav\u00edr na hudebn\u00ed fakult\u011b. Frekventanti proto mohou rozv\u00edjet i sv\u00e9 klav\u00edrn\u00ed um\u011bn\u00ed ve sf\u00e9\u0159e nejvy\u0161\u0161\u00ed z\u00e1va\u017enosti a obt\u00ed\u017enosti a konzultovat sv\u016fj koncertn\u00ed reperto\u00e1r, jsou-li dostate\u010dn\u011b vybaveni a p\u0159ipraveni.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Vyu\u010dovatelsk\u00e1 praxe:<\/strong>&nbsp;tento individu\u00e1ln\u00ed p\u0159edm\u011bt umo\u017e\u0148uje konzultace s vlastn\u00edmi \u017e\u00e1ky, s modely \u010di anal\u00fdzu nahr\u00e1vek vlastn\u00ed v\u00fduky, kterou zaznamen\u00e1 frekventant na sv\u00e9m pracovi\u0161ti. Umo\u017e\u0148uje t\u00e9\u017e konfrontaci v\u00fduky frekventanta s v\u00fdukou pedagoga JAMU, kter\u00fd \u0159e\u0161\u00ed probl\u00e9m s t\u00fdm\u017e \u017e\u00e1kem, p\u0159\u00edpadn\u011b konzultuje jeho p\u0159\u00edpravu na koncerty, sout\u011b\u017ee \u010di ke zkou\u0161k\u00e1m na vy\u0161\u0161\u00ed stupe\u0148 hudebn\u00edho studia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Hudebn\u00ed psychologie:<\/strong>&nbsp;aplikace modern\u00edch v\u011bdeck\u00fdch poznatk\u016f do praktick\u00fdch \u010dinnost\u00ed klav\u00edrn\u00edho pedagoga; zam\u011b\u0159en\u00ed na oblast psychologie osobnosti a hudebn\u00ed psychologie, aplikaci a vyu\u017eit\u00ed speci\u00e1ln\u00edch test\u016f a \u0159e\u0161en\u00ed problematiky vztah\u016f emocionality a racionality v obecn\u00e9m i specificky hudebn\u00edm v\u00fdvoji d\u00edt\u011bte a dosp\u00edvaj\u00edc\u00edho \u010dlov\u011bka.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Hudebn\u00ed pedagogika:<\/strong>&nbsp;anal\u00fdza a diskuse o modern\u00edch filmov\u00fdch v\u011bdeck\u00fdch dokumentech o principech v\u00fduky a rozv\u00edjen\u00ed kreativn\u00ed hudebn\u00ed osobnosti; hra na klav\u00edr a zdrav\u00ed; lehk\u00e9 mozkov\u00e9 dysfunkce a jejich l\u00e9\u010den\u00ed prost\u0159ednictv\u00edm klav\u00edrn\u00ed v\u00fduky; v\u00fduka handicapovan\u00fdch \u017e\u00e1k\u016f; p\u0159\u00edprava \u017e\u00e1k\u016f na ve\u0159ejn\u00e1 vystoupen\u00ed, koncerty a sout\u011b\u017ee.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Interpreta\u010dn\u00ed semin\u00e1\u0159:<\/strong>&nbsp;navazuje na metodiku klav\u00edrn\u00ed hry. V jeho n\u00e1plni je praktick\u00e9 p\u0159edveden\u00ed pr\u00e1ce se \u017e\u00e1kem, rozbory v\u00fdkon\u016f ze z\u00e1znam\u016f mezin\u00e1rodn\u00edch klav\u00edrn\u00edch sout\u011b\u017e\u00ed a pr\u00e1ce vynikaj\u00edc\u00edch pedagog\u016f.<br>Pedagogick\u00fd semin\u00e1\u0159: p\u0159in\u00e1\u0161\u00ed aktu\u00e1ln\u00ed poznatky z oboru. Informace o nov\u011b vych\u00e1zej\u00edc\u00edch notov\u00fdch materi\u00e1lech, mo\u017enostech jejich vyu\u017eit\u00ed, jsou uv\u00e1d\u011bny zvukov\u00e9 nahr\u00e1vky instruktivn\u00ed literatury, frekventanti jsou informov\u00e1ni o v\u00fdsledc\u00edch sout\u011b\u017e\u00ed, interpreta\u010dn\u00edch a pedagogick\u00fdch kurzech i o aktu\u00e1ln\u00edch odborn\u00fdch p\u0159edn\u00e1\u0161k\u00e1ch a semin\u00e1\u0159\u00edch u n\u00e1s i v zahrani\u010d\u00ed. Je vytvo\u0159en prostor pro diskuse a formulov\u00e1n\u00ed n\u00e1zor\u016f na frekventanty zvolen\u00e1 t\u00e9mata.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Osobn\u00ed kreativita:<\/strong>&nbsp;p\u0159\u00edprava z\u00e1v\u011bre\u010dn\u00e9 p\u00edsemn\u00e9 pr\u00e1ce: d\u00e1v\u00e1 mo\u017enost individu\u00e1ln\u00edch konzultac\u00ed zpracov\u00e1n\u00ed zvolen\u00e9ho odborn\u00e9ho t\u00e9matu p\u00edsemn\u00e9 pr\u00e1ce, kter\u00e1 je, po vypracov\u00e1n\u00ed a p\u0159ijet\u00ed odbornou komis\u00ed, trvale k dispozici v knihovn\u011b Metodick\u00e9ho centra HF JAMU, a rovn\u011b\u017e mnohdy publikov\u00e1na v&nbsp;\u010dasopisu Pianissimo aj. Vede pedagogy k rozv\u00edjen\u00ed p\u0159esn\u00e9 formulace vlastn\u00edch n\u00e1zor\u016f, jejich sklouben\u00ed s p\u0159edchoz\u00edmi znalostmi a obohacen\u00ed nejen \u017e\u00e1k\u016f, ale i sv\u00fdch koleg\u016f. V&nbsp;p\u0159edm\u011btu lze konzultovat vlastn\u00ed publika\u010dn\u00ed \u010dinnost a odborn\u00e9 p\u0159\u00edsp\u011bvky do diskus\u00ed i p\u0159edn\u00e1\u0161ky.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V\u00fduka hromadn\u00fdch p\u0159edm\u011bt\u016f prob\u00edh\u00e1 v sobotu od 9:45 do 14:30, v&nbsp;dev\u00edti bloc\u00edch za rok, ve stanoven\u00fdch konzulta\u010dn\u00edch dnech p\u0159\u00edslu\u0161n\u00e9ho ro\u010dn\u00edku. Individu\u00e1ln\u00ed lekce jsou vyu\u010dov\u00e1ny v sobotu i v jin\u00fdch dnech, krom\u011b toho se frekventanti z\u00fa\u010dast\u0148uj\u00ed zahajovac\u00edho konzulta\u010dn\u00edho dne, ve kter\u00e9m je obsa\u017een blok odborn\u00fdch p\u0159edn\u00e1\u0161ek a organiza\u010dn\u00ed informace. Nepovinn\u011b je mo\u017en\u00e1 \u00fa\u010dast jedenkr\u00e1t m\u011bs\u00ed\u010dn\u011b v&nbsp;celodenn\u00edm bloku aktu\u00e1ln\u00edch pedagogick\u00fdch a interpreta\u010dn\u00edch spole\u010dn\u00fdch akc\u00ed a semin\u00e1\u0159\u016f.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V\u00fduka p\u0159edm\u011bt\u016f prob\u00edh\u00e1 dle n\u00e1sleduj\u00edc\u00edho u\u010debn\u00edho pl\u00e1nu:<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>I. ro\u010dn\u00edk<\/strong><\/td><td>&nbsp;<\/td><\/tr><tr><td><strong>HROMADN\u00c1 V\u00ddUKA<\/strong><\/td><td>&nbsp;<\/td><\/tr><tr><td>Metodika klav\u00edrn\u00ed hry<\/td><td>2 hodiny<\/td><\/tr><tr><td>Interpreta\u010dn\u00ed semin\u00e1\u0159<\/td><td>1 hodina<\/td><\/tr><tr><td>Hudebn\u00ed pedagogika<\/td><td>2 hodiny<\/td><\/tr><tr><td>Pedagogick\u00fd semin\u00e1\u0159<\/td><td>1 hodina<\/td><\/tr><tr><td><strong>INDIVIDU\u00c1LN\u00cd HODINA<\/strong><\/td><td>&nbsp;<\/td><\/tr><tr><td>Hra na klav\u00edr<\/td><td>1 hodina<\/td><\/tr><tr><td>Vyu\u010dovatelsk\u00e1 praxe<\/td><td>1 hodina<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">P\u0159edpokl\u00e1dan\u00e1 \u00fa\u010dast: nejm\u00e9n\u011b 75 hodin za rok.<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>II. ro\u010dn\u00edk<\/strong><\/td><td><\/td><\/tr><tr><td><strong>HROMADN\u00c1 V\u00ddUKA<\/strong><\/td><td><\/td><\/tr><tr><td>Metodika klav\u00edrn\u00ed hry<\/td><td>2 hodiny<\/td><\/tr><tr><td>Hudebn\u00ed psychologie<\/td><td>1 hodina<\/td><\/tr><tr><td>Pedagogick\u00fd semin\u00e1\u0159<\/td><td>1 hodina<\/td><\/tr><tr><td>Interpreta\u010dn\u00ed semin\u00e1\u0159<\/td><td>1 hodina<\/td><\/tr><tr><td><strong>INDIVIDU\u00c1LN\u00cd V\u00ddUKA<\/strong><\/td><td><\/td><\/tr><tr><td>Hra na klav\u00edr<\/td><td>1 hodina<\/td><\/tr><tr><td>Vyu\u010dovatelsk\u00e1 praxe<\/td><td>1 hodina<\/td><\/tr><tr><td>Osobn\u00ed kreativita<\/td><td>1 hodina<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">P\u0159edpokl\u00e1dan\u00e1 \u00fa\u010dast: minim\u00e1ln\u011b 80 hod. za rok.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Frekventanti maj\u00ed nav\u00edc pr\u00e1vo \u00fa\u010dasti na v\u0161ech pedagogick\u00fdch a interpreta\u010dn\u00edch semin\u00e1\u0159\u00edch, p\u0159edn\u00e1\u0161k\u00e1ch a jednor\u00e1zov\u00fdch semin\u00e1\u0159\u00edch v r\u00e1mci ostatn\u00edch kurz\u016f Metodick\u00e9ho centra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kurz je ur\u010den p\u0159edev\u0161\u00edm absolvent\u016fm konzervato\u0159\u00ed a vysok\u00fdch hudebn\u00edch \u0161kol, kte\u0159\u00ed p\u016fsob\u00ed v hudebn\u00edm \u0161kolstv\u00ed. Mohou jej v\u0161ak nav\u0161t\u011bvovat i ti pedagogov\u00e9, kte\u0159\u00ed sice nejsou absolventy konzervato\u0159e, ale kte\u0159\u00ed prokazuj\u00ed dostate\u010dn\u00e9 profesion\u00e1ln\u00ed (hudebn\u00ed) dovednosti a maj\u00ed pedagogickou praxi v ZU\u0160. Kurz je otev\u0159en i absolvent\u016fm neu\u010ditelsk\u00fdch univerzitn\u00edch obor\u016f (nap\u0159\u00edklad muzikologie), kte\u0159\u00ed vyu\u010duj\u00ed na ZU\u0160 \u010di konzervato\u0159\u00edch. Prvn\u00ed rok studia je zakon\u010den z\u00e1po\u010dty a klasifikovan\u00fdmi z\u00e1po\u010dty v\u0161ech p\u0159edm\u011bt\u016f, druh\u00fd rok komision\u00e1ln\u00edmi zkou\u0161kami z metodiky, hry na klav\u00edr, pedagogick\u00e9 praxe, psychologie a pedagogiky. Sou\u010d\u00e1st\u00ed z\u00e1v\u011bre\u010dn\u00e9 zkou\u0161ky je rovn\u011b\u017e pohovor spojen\u00fd s hodnocen\u00edm z\u00e1v\u011bre\u010dn\u00e9 p\u00edsemn\u00e9 pr\u00e1ce. Na z\u00e1klad\u011b \u00fasp\u011b\u0161n\u011b vykonan\u00e9 zkou\u0161ky z\u00edsk\u00e1v\u00e1 frekventant osv\u011bd\u010den\u00ed o absolvov\u00e1n\u00ed kurzu s vyzna\u010den\u00edm studovan\u00fdch p\u0159edm\u011bt\u016f a vykonan\u00fdch zkou\u0161ek.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>N\u00c1SLEDN\u00c9 KURZY<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kurz \u010d. 2 \u2013 Stylov\u00e1 klav\u00edrn\u00ed interpretace a modern\u00ed teorie klav\u00edrn\u00ed hry<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ve \u010dty\u0159ech semestrech tohoto kurzu jsou zahrnuty povinn\u00e9 p\u0159edm\u011bty hromadn\u00e9: D\u011bjiny klav\u00edrn\u00ed hry a pedagogiky (9 hodin), D\u011bjiny a literatura klav\u00edru (36 hodin), Teorie klav\u00edrn\u00ed interpretace (9 hodin), Pedagogick\u00fd semin\u00e1\u0159 (24 hodin), Interpreta\u010dn\u00ed semin\u00e1\u0159 (20 hodin) a voliteln\u00e9 p\u0159edm\u011bty individu\u00e1ln\u00ed nepovinn\u00e9: Hra na klav\u00edr, Pedagogick\u00e9 konzultace, Korepetice, Improvizace, Hra na cembalo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kurz poskytuje teoretick\u00e9 i praktick\u00e9 znalosti o v\u00fdvoji klav\u00edrn\u00ed hry a zp\u016fsobu historicky pou\u010den\u00e9 interpretace skladeb, kter\u00e9 pat\u0159\u00ed do&nbsp;pedagogick\u00e9ho i koncertn\u00edho reperto\u00e1ru pianist\u016f, od nejstar\u0161\u00edch obdob\u00ed kl\u00e1vesov\u00e9 literatury a\u017e po sou\u010dasnou klav\u00edrn\u00ed tvorbu. Informace historick\u00e9 povahy jsou prov\u00e1z\u00e1ny s&nbsp;praktick\u00fdmi zvukov\u00fdmi uk\u00e1zkami, hran\u00fdmi jak na kl\u00e1vesov\u00fdch n\u00e1stroj\u00edch, je\u017e byly p\u0159edch\u016fdci dne\u0161n\u00edho klav\u00edru, tak i na modern\u00edm klav\u00edru. Obs\u00e1hl\u00fd pr\u016f\u0159ez instruktivn\u00ed literaturou klav\u00edru je uskute\u010d\u0148ov\u00e1n formou anal\u00fdzy skladeb a jejich interpretace, konfrontov\u00e1n s&nbsp;v\u00fdkony sv\u011btov\u00fdch um\u011blc\u016f a pedagog\u016f i student\u016f a \u017e\u00e1k\u016f. Je p\u0159i tom vyu\u017e\u00edv\u00e1no mistrovsk\u00fdch nahr\u00e1vek na zvukov\u00fdch a obrazov\u00fdch nosi\u010d\u00edch a z\u00e1znam\u016f z&nbsp;mezin\u00e1rodn\u00edch klav\u00edrn\u00edch sout\u011b\u017e\u00ed i \u017eiv\u00fdch uk\u00e1zek na semin\u00e1\u0159\u00edch spojen\u00fdch s jejich anal\u00fdzou. Tato anal\u00fdza je z\u00e1rove\u0148 praktick\u00fdm dopln\u011bn\u00edm a aplikac\u00ed modern\u00ed teorie klav\u00edrn\u00ed interpretace do pedagogick\u00e9 praxe. Hlavn\u00ed z\u0159etel v&nbsp;teorii interpretace je v\u011bnov\u00e1n dv\u011bma oblastem: 1. efektivn\u00edmu studiu klav\u00edrn\u00ed skladby, 2. p\u0159\u00edprav\u011b a pr\u016fb\u011bhu ve\u0159ejn\u00e9ho vystoupen\u00ed. Ve voliteln\u00fdch p\u0159edm\u011btech je umo\u017en\u011bno frekventant\u016fm, aby si sami zvolili po\u010det hodin a jejich rozvr\u017een\u00ed i n\u00e1pl\u0148 podle sv\u00fdch individu\u00e1ln\u00edch pot\u0159eb a pracovn\u00edho zam\u011b\u0159en\u00ed. Na vlastn\u00ed h\u0159e na klav\u00edr si mohou ov\u011b\u0159it spr\u00e1vnost pochopen\u00ed a uplat\u0148ov\u00e1n\u00ed z\u00edskan\u00fdch poznatk\u016f, d\u00e1le konzultovat v\u00fdsledky sv\u00e9 pr\u00e1ce se \u017e\u00e1kem, p\u0159\u00edpadn\u011b rozv\u00edjet sv\u00e9 um\u011bn\u00ed klav\u00edrn\u00edho doprovodu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Podrobn\u00e9 obsahy p\u0159edm\u011bt\u016f s vy\u0161\u0161\u00ed hodinovou dotac\u00ed:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>D\u011bjiny a literatura klav\u00edru<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u017divot a tvorba anglick\u00fdch virginalist\u016f, francouzsk\u00fdch clavecinist\u016f, Frobergera, Kuhnaua, Purcella, H\u00e4ndela a Bacha, vznik a v\u00fdvoj klav\u00edru, temperovan\u00e9 lad\u011bn\u00ed.<\/li>\n\n\n\n<li>\u010ce\u0161t\u00ed mist\u0159i a jejich pod\u00edl ve v\u00fdvoji klasicismu, v\u00fdvoj klav\u00edr\u016f, Bachovi synov\u00e9 a jejich tvorba, \u017eivot a klav\u00edrn\u00ed d\u00edlo Haydna, Mozarta a Beethovena.<\/li>\n\n\n\n<li>\u017divot a tvorba Dus\u00edka, Webera, Mendelssohna, Schuberta, Schumanna, Chopina, Liszta , Brahmse, Smetany, Dvo\u0159\u00e1ka, \u010desk\u00e1 klav\u00edrn\u00ed \u0161kola, \u017eivot a tvorba Francka, Saint- Saense, Faur\u00e9, vznik francouzsk\u00e9 klav\u00edrn\u00ed \u0161koly.<\/li>\n\n\n\n<li>Vznik rusk\u00e9 klav\u00edrn\u00ed \u0161koly, \u017eivot a tvorba \u010cajkovsk\u00e9ho, Rachmaninova, tvorba p\u0159edstavitel\u016f Mocn\u00e9 hrstky a d\u00edlo v\u00fdznamn\u00fdch impresionist\u016f Debussyho a Ravela, \u017eivot a d\u00edlo Regera, zakladatele neoklasicismu Busoniho, Hindemitha, klav\u00edrn\u00ed tvorba Sch\u00f6nberga, Berga a Weberna.<\/li>\n\n\n\n<li>Nov\u00e9 sm\u011bry ve francouzsk\u00e9 hudb\u011b \u2013 tvorba \u010dlen\u016f Pa\u0159\u00ed\u017esk\u00e9 \u0161estky a jejich klav\u00edrn\u00ed d\u00edlo, projevy rusk\u00e9 moderny \u2013 Skrjabin, Stravinskij, Prokofjev, \u0160ostakovi\u010d, z\u00e1stupci polsk\u00e9 a ma\u010farsk\u00e9 moderny \u2013 Szymanowski, Bart\u00f3k.<\/li>\n\n\n\n<li>Tvorba Martin\u016f, Jan\u00e1\u010dka, anglo\u2013americk\u00e1 klav\u00edrn\u00ed tvorba, Messiaen a jeho klav\u00edrn\u00ed d\u00edlo.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Interpreta\u010dn\u00ed semin\u00e1\u0159<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anal\u00fdza p\u0159edveden\u00e9ho interpreta\u010dn\u00edho v\u00fdkonu, p\u0159\u00edpadn\u011b jeho videoz\u00e1znamu. V\u00fdkon je posuzov\u00e1n z hlediska pochopen\u00ed s\u00e9mantiky autora, p\u0159eva\u017euj\u00edc\u00ed estetiky dan\u00e9ho stylu i z hlediska vhodnosti zvolen\u00fdch technick\u00fdch prost\u0159edk\u016f interpretace. Konfrontace n\u00e1zor\u016f frekventant\u016f a jejich konfrontace s n\u00e1zory pedagog\u016f objektivizuje hodnocen\u00ed v\u00fdkonu, p\u0159in\u00e1\u0161\u00ed frekventant\u016fm i interpretovi jasnou odezvu a ur\u010duje tak dal\u0161\u00ed sm\u011br jejich pr\u00e1ce.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pedagogick\u00fd semin\u00e1\u0159<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sezn\u00e1men\u00ed se s aktu\u00e1ln\u00edmi poznatky oboru, anal\u00fdza pr\u00e1ce \u0161pi\u010dkov\u00fdch pedagogick\u00fdch osobnost\u00ed (\u017eiv\u011b \u010di pomoc\u00ed z\u00e1znamu). Prezentace vlastn\u00ed pedagogick\u00e9 pr\u00e1ce frekventant\u016f p\u0159ed odborn\u00fdm publikem a n\u00e1sledn\u00e1 diskuse.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Schopnost formulace odborn\u00fdch n\u00e1zor\u016f p\u0159i hodnocen\u00ed v\u00fdkon\u016f \u017e\u00e1k\u016f. T\u0159\u00edben\u00ed n\u00e1zor\u016f v diskusi o form\u00e1ch a metod\u00e1ch rozv\u00edjen\u00ed interpreta\u010dn\u00edho talentu. Praktick\u00e9 sezn\u00e1men\u00ed frekventant\u016f s nov\u00fdmi notov\u00fdmi materi\u00e1ly a pom\u016fckami, zejm\u00e9na pro element\u00e1rn\u00ed klav\u00edrn\u00ed pedagogiku. Zvukov\u00e9 nahr\u00e1vky instruktivn\u00ed literatury. Anal\u00fdza z\u00e1znam\u016f v\u00fdkon\u016f z klav\u00edrn\u00edch sout\u011b\u017e\u00ed. Prostor pro diskusi a formulaci n\u00e1zor\u016f na t\u00e9mata zvolen\u00e1 frekventanty, nap\u0159. metodika v\u00fduky pedalizace, artikulace, \u010dty\u0159ru\u010dn\u00ed hra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vzd\u011bl\u00e1vac\u00ed c\u00edl<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Poskytnout klav\u00edrn\u00edm pedagog\u016fm spolehlivou orientaci v oblasti nov\u00fdch poznatk\u016f z historie klav\u00edrn\u00ed literatury, interpretace a pedagogiky, kter\u00e9 se v posledn\u00edch desetilet\u00edch zmnohon\u00e1sobily a vedly k roz\u0161\u00ed\u0159en\u00ed reperto\u00e1ru a k v\u00fdznamn\u00fdm zm\u011bn\u00e1m v jeho interpretaci i pedagogick\u00e9m vyu\u017eit\u00ed. Nejde jen o jednostrann\u00e9 zam\u011b\u0159en\u00ed na historicky pou\u010denou interpretaci star\u00e9 hudby, ale z\u00e1rove\u0148 s t\u00edm i o aplikaci nejmodern\u011bj\u0161\u00edch poznatk\u016f o efektivn\u00edm studiu klav\u00edrn\u00ed hry. To m\u00e1 p\u0159\u00edm\u00fd dopad na kvalitu ve\u0159ejn\u00fdch vystoupen\u00ed \u017e\u00e1k\u016f, na \u00fasp\u011bchy v n\u00e1rodn\u00edch i mezin\u00e1rodn\u00edch sout\u011b\u017e\u00edch, na \u0161\u00ed\u0159i jejich znalost\u00ed a kulturn\u00edho rozhledu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Podm\u00ednky pro z\u00edsk\u00e1n\u00ed Osv\u011bd\u010den\u00ed o absolvov\u00e1n\u00ed kurzu<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00da\u010dast v p\u0159edm\u011btech evidovan\u00e1 v prezen\u010dn\u00edch listin\u00e1ch. Absolventi kurzu obdr\u017e\u00ed osv\u011bd\u010den\u00ed s vyzna\u010den\u00edm studovan\u00fdch p\u0159edm\u011bt\u016f, p\u0159\u00edpadn\u011b dosa\u017een\u00e9ho prosp\u011bchu p\u0159i z\u00e1v\u011bre\u010dn\u00fdch zkou\u0161k\u00e1ch, pokud o zkou\u0161ku po\u017e\u00e1daj\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kurz \u010d. 3 \u2013 Praktick\u00e1 aplikace modern\u00edch studijn\u00edch materi\u00e1l\u016f a u\u010debn\u00edch pom\u016fcek ve v\u00fduce klav\u00edrn\u00ed hry<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Z\u00e1kladem n\u00e1pln\u011b tohoto kurzu jsou pedagogick\u00e9 i interpreta\u010dn\u00ed semin\u00e1\u0159e a metodika klav\u00edrn\u00ed hry, kter\u00e9 jsou kombinov\u00e1ny s mo\u017enost\u00ed individu\u00e1ln\u00edho studia s\u00f3lov\u00e9 klav\u00edrn\u00ed hry, korepetice i improvizace a s konzultacemi v\u00fdkon\u016f \u017e\u00e1k\u016f frekventant\u016f v s\u00f3lov\u00e9 i komorn\u00ed h\u0159e. Vzd\u011bl\u00e1v\u00e1n\u00ed proto prob\u00edh\u00e1 ve t\u0159ech rovin\u00e1ch: 1. z\u00edsk\u00e1v\u00e1n\u00ed znalost\u00ed, 2. praktick\u00e1 orientace a dovednosti p\u0159i jejich uplat\u0148ov\u00e1n\u00ed, 3. individu\u00e1ln\u00ed ov\u011b\u0159en\u00ed nabyt\u00fdch poznatk\u016f a zku\u0161enost\u00ed p\u0159i vlastn\u00edm studiu problematiky klav\u00edrn\u00ed hry a ve v\u00fduce \u017e\u00e1k\u016f.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Metodika:<\/strong>&nbsp;p\u0159edn\u00e1\u0161ky zahrnuj\u00ed a reflektuj\u00ed n\u00e1sleduj\u00edc\u00ed okruhy t\u00e9mat a skute\u010dnost\u00ed: v posledn\u00edm desetilet\u00ed vznikla \u0159ada nov\u00fdch kvalitn\u00edch klav\u00edrn\u00edch \u0161kol a sb\u00edrek instruktivn\u00edch skladeb se specifick\u00fdm zam\u011b\u0159en\u00edm nap\u0159. na p\u0159ed\u0161koln\u00ed v\u011bk d\u011bt\u00ed, na pozn\u00e1v\u00e1n\u00ed hudebn\u00ed literatury u klav\u00edru, na rozv\u00edjen\u00ed tvo\u0159ivosti \u017e\u00e1ka formou improvizace, na pr\u00e1ci s urtextov\u00fdmi edicemi skladeb, na hru jazzu a z\u00e1bavn\u00e9 hudby. Vznikly nov\u00e9 instruktivn\u00ed skladby i materi\u00e1ly zaji\u0161\u0165uj\u00edc\u00ed praktick\u00e9 uplatn\u011bn\u00ed teoretick\u00fdch znalost\u00ed \u017e\u00e1k\u016f p\u0159i studiu klav\u00edrn\u00edch skladeb. Roz\u0161\u00ed\u0159ily se po\u010dty a specifick\u00e9 zam\u011b\u0159en\u00ed klav\u00edrn\u00edch sout\u011b\u017e\u00ed, nap\u0159. v n\u00edzk\u00fdch v\u011bkov\u00fdch kategori\u00edch, ve \u010dty\u0159ru\u010dn\u00ed h\u0159e atp., o kter\u00fdch nesta\u010d\u00ed pouze informovat, je t\u0159eba t\u00e9\u017e pomoci k jejich efektivn\u00edmu vyu\u017e\u00edv\u00e1n\u00ed v pr\u00e1ci pedagog\u016f.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dal\u0161\u00ed t\u00e9mata p\u0159edm\u011btu Metodika:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Individu\u00e1ln\u00ed a vyv\u00e1\u017een\u00fd zp\u016fsob volby reperto\u00e1ru pro \u017e\u00e1ky ZU\u0160. Pr\u00e1ce na skladb\u011b a optimalizace spolupr\u00e1ce s rodi\u010di p\u0159i vytv\u00e1\u0159en\u00ed spr\u00e1vn\u00fdch n\u00e1vyk\u016f efektivn\u00edho cvi\u010den\u00ed; interpretace jako prost\u0159edek emocion\u00e1ln\u00edho sebevyj\u00e1d\u0159en\u00ed, komunikace a radostn\u00e9ho tvo\u0159en\u00ed i vn\u00edm\u00e1n\u00ed hudby \u017e\u00e1ky.<\/li>\n\n\n\n<li>Metodick\u00e9 postupy p\u0159i pr\u00e1ci na skladb\u011b, srovn\u00e1n\u00ed zastaral\u00fdch a modern\u00edch p\u0159\u00edstup\u016f. V\u00fdznam anal\u00fdzy skladeb.<\/li>\n\n\n\n<li>Z\u00e1kladn\u00ed druhy klav\u00edrn\u00ed techniky. V\u00fdznam technick\u00fdch cvi\u010den\u00ed a zp\u016fsoby pr\u00e1ce s nimi.<\/li>\n\n\n\n<li>Mo\u017enosti d\u011btsk\u00e9 ruky. \u0158e\u0161en\u00ed technick\u00fdch obt\u00ed\u017e\u00ed \u2013 nal\u00e9z\u00e1n\u00ed p\u0159\u00ed\u010din probl\u00e9m\u016f.<\/li>\n\n\n\n<li>Pedalizace a jej\u00ed metodika od po\u010d\u00e1te\u010dn\u00ed v\u00fduky.<\/li>\n\n\n\n<li>Studium klav\u00edrn\u00edch etud. Nej\u010dast\u011bji u\u017e\u00edvan\u00e9 sb\u00edrky etud pro za\u010d\u00ednaj\u00edc\u00ed i pokro\u010dil\u00e9, specifi\u010dnost pr\u00e1ce na etud\u011b se za\u010d\u00e1te\u010dn\u00edkem.<\/li>\n\n\n\n<li>Pr\u00e1ce s p\u00edsn\u00ed od po\u010d\u00e1tk\u016f v\u00fduky na element\u00e1rn\u00edm stupni. Metodika v\u00fduky improvizace, improvizace doprovodu, hra podle akordick\u00fdch zna\u010dek atd. \u010cesk\u00e9 i zahrani\u010dn\u00ed materi\u00e1ly.<\/li>\n\n\n\n<li>Reperto\u00e1r a zp\u016fsob pr\u00e1ce p\u0159i v\u00fduce \u010dty\u0159ru\u010dn\u00ed hry. (rozsah: 60 hodin)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pedagogicko-psychologick\u00e9 aspekty klav\u00edrn\u00edho pedagoga a \u017e\u00e1ka v sou\u010dasnosti:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00edlem je na z\u00e1klad\u011b teoretick\u00fdch poznatk\u016f a praktick\u00fdch p\u0159\u00edklad\u016f p\u0159isp\u011bt k hlub\u0161\u00edmu uv\u011bdom\u011bn\u00ed si v\u00fdznamu role u\u010ditele v sou\u010dasnosti a bli\u017e\u0161\u00edmu porozum\u011bn\u00ed osobnosti \u017e\u00e1ka.<br>P\u0159edm\u011bt se zab\u00fdv\u00e1 pedagogicko-psychologick\u00fdmi aspekty dvou z\u00e1kladn\u00edch \u010dinitel\u016f v\u00fduky hry na klav\u00edr \u2013 klav\u00edrn\u00edho pedagoga a \u017e\u00e1ka \u2013 v kontextu 21. stolet\u00ed. V\u011bnuje se postaven\u00ed a roli pedagoga, pedagogov\u011b motivaci k v\u00fduce a bezprost\u0159edn\u011b v pedagogick\u00e9m procesu a stylu jeho u\u010den\u00ed. P\u0159edstaveni jsou vybran\u00ed klav\u00edrn\u00ed pedagogov\u00e9 a jejich pedagogick\u00fd i lidsk\u00fd odkaz.<br>\u017d\u00e1k je charakterizov\u00e1n na z\u00e1klad\u011b sv\u00e9ho v\u00fdvoje. S ohledem na stupe\u0148 dosa\u017een\u00fdch hudebn\u00edch schopnost\u00ed a dovednost\u00ed \u017e\u00e1ka se z\u0159etelem ke klav\u00edrn\u00ed h\u0159e jsou zmi\u0148ov\u00e1ny mo\u017enosti efektivn\u00ed, smyslupln\u00e9 a radostn\u00e9 v\u00fduky hry na klav\u00edr v ka\u017ed\u00e9m v\u011bku. Z\u0159etel je br\u00e1n mimo jin\u00e9 tak\u00e9 na dal\u0161\u00ed faktory, nap\u0159\u00edklad specifick\u00e9 poruchy u\u010den\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>P\u0159edm\u011bt je zalo\u017een na kombinaci dvou princip\u016f:<\/strong><\/p>\n\n\n\n<ol start=\"1\" class=\"wp-block-list\">\n<li>Prezentace vybran\u00fdch tematick\u00fdch okruh\u016f<\/li>\n\n\n\n<li>Aktivn\u00ed participace poslucha\u010d\u016f p\u0159i v\u00fduce \u2013 \u0159\u00edzen\u00e1 diskuse (rozsah: 20 hodin)<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pedagogick\u00e9 a interpreta\u010dn\u00ed semin\u00e1\u0159e:<\/strong>&nbsp;poskytuj\u00ed praktick\u00e9 uk\u00e1zky vyu\u017e\u00edv\u00e1n\u00ed nov\u00fdch pom\u016fcek, kter\u00e9 v\u00fdznamn\u011b ovliv\u0148uj\u00ed kvalitu vyu\u010dovac\u00edho procesu. Jejich vyu\u017e\u00edv\u00e1n\u00ed je umo\u017e\u0148ov\u00e1no jednak informacemi o jejich existenci, jednak jejich pozn\u00e1v\u00e1n\u00edm a z\u00edsk\u00e1n\u00edm dovednosti je zhotovit, \u010di obm\u011b\u0148ovat podle pot\u0159eb a v\u011bku \u017e\u00e1k\u016f, p\u0159\u00edpadn\u011b i zvl\u00e1dnut\u00edm zp\u016fsobu pr\u00e1ce s modern\u00ed digit\u00e1ln\u00ed z\u00e1znamovou technikou (audio a video rekord\u00e9ry, multimedi\u00e1ln\u00ed programy na PC, kamery, atd.). \u0160irok\u00e1 \u0161k\u00e1la informac\u00ed je poskytov\u00e1na tak, aby napomohla pedagog\u016fm v orientaci na internetu a p\u0159i vyu\u017e\u00edv\u00e1n\u00ed nahr\u00e1vek z osobn\u00edch i \u0161koln\u00edch archiv\u016f zp\u016fsobem, kter\u00fd umo\u017en\u00ed zam\u011b\u0159it sebevzd\u011bl\u00e1v\u00e1n\u00ed na specifick\u00e9 pot\u0159eby jednotlivc\u016f.<br>Vzhledem k tomu, \u017ee mnoh\u00e9 z t\u011bchto pom\u016fcek a modern\u00edch informac\u00ed p\u0159ich\u00e1zej\u00ed ze zahrani\u010d\u00ed, je d\u016fle\u017eit\u00e9 nau\u010dit pedagogy pracovat se specializovan\u00fdmi odborn\u00fdmi \u010dasopisy, speci\u00e1ln\u00edmi instruktivn\u00edmi zvukov\u00fdmi a obrazov\u00fdmi materi\u00e1ly atd. Lekto\u0159i kurzu sami p\u0159ekl\u00e1daj\u00ed, p\u0159\u00edpadn\u011b zaji\u0161\u0165uj\u00ed p\u0159eklady v\u00fdznamn\u00fdch odborn\u00fdch text\u016f pro jejich snaz\u0161\u00ed aplikaci v praxi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dal\u0161\u00ed n\u00e1pl\u0148 semin\u00e1\u0159\u016f p\u0159in\u00e1\u0161\u00ed kontakt frekventant\u016f se sou\u010dasn\u00fdmi skladateli a interprety, kte\u0159\u00ed sv\u00fdmi n\u00e1zory a radami poskytuj\u00ed mo\u017enost aktualizace p\u0159edchoz\u00edho odborn\u00e9ho vzd\u011bl\u00e1n\u00ed. Rovn\u011b\u017e setk\u00e1v\u00e1n\u00ed s na\u0161imi i zahrani\u010dn\u00edmi vysoko\u0161kolsk\u00fdmi klav\u00edrn\u00edmi pedagogy je zdrojem nov\u00fdch pohled\u016f na v\u00fduku.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Frekventanti kurzu mohou vyu\u017e\u00edt mo\u017enosti vystoupen\u00ed sv\u00fdch vybran\u00fdch \u017e\u00e1k\u016f na koncertech v aule HF JAMU, kter\u00e9 jsou nahr\u00e1v\u00e1ny, analyzov\u00e1ny a archivov\u00e1ny. Koncerty maj\u00ed tematick\u00e9 zam\u011b\u0159en\u00ed bu\u010f k p\u0159\u00edprav\u011b na konkr\u00e9tn\u00ed klav\u00edrn\u00ed sout\u011b\u017ee n\u00e1rodn\u00ed \u010di mezin\u00e1rodn\u00ed, nebo na interpretaci skladeb ur\u010dit\u00e9ho stylov\u00e9ho obdob\u00ed, \u017e\u00e1nru, skladatele, na ur\u010ditou v\u011bkovou skupinu \u017e\u00e1k\u016f.<br>Sou\u010d\u00e1st\u00ed je anal\u00fdza p\u0159edveden\u00e9ho interpreta\u010dn\u00edho v\u00fdkonu, p\u0159\u00edpadn\u011b jeho videoz\u00e1znamu. V\u00fdkon je posuzov\u00e1n z hlediska pochopen\u00ed s\u00e9mantiky autora, p\u0159eva\u017euj\u00edc\u00ed estetiky dan\u00e9ho stylu i z hlediska vhodnosti zvolen\u00fdch technick\u00fdch prost\u0159edk\u016f interpretace. Konfrontace n\u00e1zor\u016f frekventant\u016f a jejich konfrontace s n\u00e1zory pedagog\u016f objektivizuje hodnocen\u00ed v\u00fdkonu, p\u0159in\u00e1\u0161\u00ed frekventant\u016fm i interpretovi jasnou odezvu a ur\u010duje tak dal\u0161\u00ed sm\u011br jejich pr\u00e1ce.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Frekventanti se seznamuj\u00ed s aktu\u00e1ln\u00edmi poznatky oboru, analyzuj\u00ed pr\u00e1ci \u0161pi\u010dkov\u00fdch pedagogick\u00fdch osobnost\u00ed (\u017eiv\u011b \u010di pomoc\u00ed z\u00e1znamu). Praktick\u00e9 sezn\u00e1men\u00ed frekventant\u016f s nov\u00fdmi notov\u00fdmi materi\u00e1ly a pom\u016fckami, zejm\u00e9na pro element\u00e1rn\u00ed klav\u00edrn\u00ed pedagogiku. Zvukov\u00e9 nahr\u00e1vky instruktivn\u00ed literatury. Anal\u00fdza z\u00e1znam\u016f v\u00fdkon\u016f z klav\u00edrn\u00edch sout\u011b\u017e\u00ed. Prostor pro diskusi a formulaci n\u00e1zor\u016f na t\u00e9mata zvolen\u00e1 frekventanty, nap\u0159. metodika v\u00fduky pedalizace, artikulace, \u010dty\u0159ru\u010dn\u00ed hra apod.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zvl\u00e1\u0161tn\u00ed prostor je v tomto kurzu v\u011bnov\u00e1n klav\u00edrn\u00ed improvizaci a jej\u00ed metodice pro z\u00e1kladn\u00ed um\u011bleck\u00e9 \u0161koly.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sou\u010d\u00e1st\u00ed semin\u00e1\u0159\u016f jsou d\u00e1le diskuse a vz\u00e1jemn\u00e1 v\u00fdm\u011bna zku\u0161enost\u00ed v z\u00e1jmov\u00fdch skupin\u00e1ch, z nich\u017e je nejv\u011bt\u0161\u00ed skupina pedagog\u016f, kte\u0159\u00ed se specializuj\u00ed na v\u00fduku p\u0159ed\u0161koln\u00edch d\u011bt\u00ed a skupina pracuj\u00edc\u00ed s d\u011btmi s lehk\u00fdmi mozkov\u00fdmi dysfunkcemi \u010di s handicapovan\u00fdmi \u017e\u00e1ky.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Speci\u00e1ln\u00ed pomoc je poskytov\u00e1na pedagog\u016fm s t\u011b\u017ek\u00fdm zrakov\u00fdm posti\u017een\u00edm a ve spolupr\u00e1ci s radou zrakov\u011b posti\u017een\u00fdch u\u010ditel\u016f hudby, kter\u00e1 pracuje na p\u016fd\u011b Spojen\u00e9 organizace nevidom\u00fdch a slabozrak\u00fdch (SONS), jsou konzultov\u00e1ny mo\u017enosti z\u00edsk\u00e1v\u00e1n\u00ed notov\u00fdch materi\u00e1l\u016f a p\u0159izp\u016fsoben\u00ed nov\u00fdch u\u010debn\u00edch pom\u016fcek pro zrakov\u011b handicapovan\u00e9 pedagogy. (rozsah: 60 hodin)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Podm\u00ednky pro z\u00edsk\u00e1n\u00ed Osv\u011bd\u010den\u00ed o absolvov\u00e1n\u00ed kurzu:&nbsp;<\/strong>osv\u011bd\u010den\u00ed o absolvov\u00e1n\u00ed kurzu je v\u00e1zan\u00e9 na \u00fa\u010dast evidovanou na prezen\u010dn\u00edch listin\u00e1ch a p\u00edsemnou zpr\u00e1vu ka\u017ed\u00e9ho frekventanta, kter\u00e1 zahrne jeho vyj\u00e1d\u0159en\u00ed k p\u0159\u00ednosu kurzu pro jeho pr\u00e1ci a konkretizaci dosa\u017een\u00fdch pedagogick\u00fdch v\u00fdsledk\u016f. Na Osv\u011bd\u010den\u00ed budou vyzna\u010deny p\u0159edm\u011bty hromadn\u00e9 i individu\u00e1ln\u00ed v\u00fduky, kterou poslucha\u010d absolvoval.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kurz \u010d. 4 \u2013 Didaktika p\u0159\u00edpravy klav\u00edrist\u016f do um\u011bleck\u00e9 a pedagogick\u00e9 praxe (\u010dty\u0159semestr\u00e1ln\u00ed kurz)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00edlem tohoto kurzu je zkvalitn\u011bn\u00ed p\u0159\u00edpravy student\u016f pro povol\u00e1n\u00ed klav\u00edrn\u00edho pedagoga a p\u0159\u00edprava p\u0159edn\u00e1\u0161ej\u00edc\u00edch a vedouc\u00edch pedagog\u016f pro odborn\u00e9 semin\u00e1\u0159e a dal\u0161\u00ed vzd\u011bl\u00e1v\u00e1n\u00ed pedagog\u016f. Aktualizace odborn\u00fdch znalost\u00ed klav\u00edrn\u00edch pedagog\u016f hudebn\u00edch gymn\u00e1zi\u00ed, st\u0159edn\u00edch a vy\u0161\u0161\u00edch odborn\u00fdch \u0161kol a pedagogick\u00fdch fakult; vytvo\u0159en\u00ed podm\u00ednek pro odbornou diskusi a v\u00fdm\u011bnu zku\u0161enost\u00ed. Odborn\u00e1 p\u0159\u00edprava klav\u00edrn\u00edch metodik\u016f v\u0161ech \u00farovn\u00ed a vedouc\u00edch p\u0159edm\u011btov\u00fdch komis\u00ed na ZU\u0160. Roz\u0161\u00ed\u0159en\u00ed praktick\u00fdch i teoretick\u00fdch znalost\u00ed absolvent\u016f kurz\u016f s po\u0159adov\u00fdmi \u010d\u00edsly 1\u2013 3.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kurz obsahuje povinn\u00e9 p\u0159edm\u011bty Pedagogick\u00fd a interpreta\u010dn\u00ed semin\u00e1\u0159 a Didaktika klav\u00edrn\u00edho um\u011bn\u00ed a poskytuje mo\u017enost v\u00fdb\u011bru dvou p\u0159edm\u011bt\u016f ze t\u0159\u00ed n\u00ed\u017ee uveden\u00fdch, kter\u00e9 jsou ozna\u010deny hv\u011bzdi\u010dkou. Krom\u011b toho lze zvolit konzultace v p\u0159edm\u011btu Hra na klav\u00edr a Vyu\u010dovatelsk\u00e1 praxe \u010di Korepetice, Improvizace, Hra na cembalo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pedagogick\u00fd a interpreta\u010dn\u00ed semin\u00e1\u0159:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>samostatn\u00e9 veden\u00ed semin\u00e1\u0159e klav\u00edrn\u00edch pedagog\u016f<\/li>\n\n\n\n<li>organizace koncertu \u017e\u00e1k\u016f<\/li>\n\n\n\n<li>pr\u016fvodn\u00ed slovo na koncert\u011b<\/li>\n\n\n\n<li>veden\u00ed odborn\u00e9 diskuse k zadan\u00e9mu t\u00e9matu<\/li>\n\n\n\n<li>n\u00e1vrhy na t\u00e9mata odborn\u00fdch semin\u00e1\u0159\u016f a na zp\u016fsob jejich zaji\u0161t\u011bn\u00ed<\/li>\n\n\n\n<li>samostatn\u00e9 vystoupen\u00ed na pedagogick\u00e9m semin\u00e1\u0159i formou p\u0159edn\u00e1\u0161ky a n\u00e1sledn\u00e9 diskuse<\/li>\n\n\n\n<li>anal\u00fdza p\u0159edveden\u00e9ho interpreta\u010dn\u00edho v\u00fdkonu, p\u0159\u00edpadn\u011b jeho videoz\u00e1znamu<\/li>\n\n\n\n<li>hodnocen\u00ed interpretace z hlediska pochopen\u00ed s\u00e9mantiky autora, p\u0159eva\u017euj\u00edc\u00ed estetiky dan\u00e9ho stylu i z hlediska vhodnosti zvolen\u00fdch technick\u00fdch prost\u0159edk\u016f interpretace<\/li>\n\n\n\n<li>konfrontace n\u00e1zor\u016f frekventant\u016f a jejich konfrontace s n\u00e1zory pedagog\u016f (objektivizuje hodnocen\u00ed v\u00fdkonu, p\u0159in\u00e1\u0161\u00ed frekventant\u016fm i interpretovi jasnou odezvu a ur\u010duje tak dal\u0161\u00ed sm\u011br jejich pr\u00e1ce)<\/li>\n\n\n\n<li>aktu\u00e1ln\u00ed poznatky oboru, anal\u00fdza pr\u00e1ce \u0161pi\u010dkov\u00fdch pedagogick\u00fdch osobnost\u00ed (\u017eiv\u011b \u010di pomoc\u00ed z\u00e1znamu).<\/li>\n\n\n\n<li>praktick\u00e9 sezn\u00e1men\u00ed s nov\u00fdmi notov\u00fdmi materi\u00e1ly a pom\u016fckami, zejm\u00e9na pro element\u00e1rn\u00ed klav\u00edrn\u00ed pedagogiku<\/li>\n\n\n\n<li>zvukov\u00e9 nahr\u00e1vky instruktivn\u00ed literatury<\/li>\n\n\n\n<li>anal\u00fdza z\u00e1znam\u016f v\u00fdkon\u016f z klav\u00edrn\u00edch sout\u011b\u017e\u00ed<\/li>\n\n\n\n<li>diskuse a formulace n\u00e1zor\u016f na t\u00e9mata zvolen\u00e1 frekventanty, nap\u0159. metodika v\u00fduky pedalizace, artikulace, \u010dty\u0159ru\u010dn\u00ed hra apod.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>*V\u00fduka p\u0159edm\u011btu Povinn\u00fd klav\u00edr:<\/strong>&nbsp;rozd\u00edln\u00e9 posl\u00e1n\u00ed t\u00e9to v\u00fduky pro praktick\u00e9 uplatn\u011bn\u00ed absolventa ZU\u0160, hudebn\u00edho gymn\u00e1zia, konzervato\u0159e hudebn\u00ed \u010di tane\u010dn\u00ed, pedagogick\u00e9 fakulty. Specifi\u010dnost v\u00fduky za\u010d\u00e1te\u010dn\u00edk\u016f r\u016fzn\u00e9ho v\u011bku a volba vhodn\u00fdch \u0161kol a reperto\u00e1ru. Zp\u016fsoby motivace \u017e\u00e1ka. Rozd\u00edly v pr\u00e1ci se studenty v z\u00e1vislosti na jejich r\u016fzn\u00e9 pokro\u010dilosti a hlavn\u00edm oboru studia. Improvizace, hra z listu a transpozice. Tvo\u0159iv\u00fd p\u0159\u00edstup ke stylovosti a hudebn\u00edmu v\u00fdrazu. V\u00fdznam zkou\u0161ek a krit\u00e9ria klasifikace.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>*V\u00fduka p\u0159edm\u011bt\u016f Metodika klav\u00edrn\u00ed hry a Vyu\u010dovatelsk\u00e1 praxe:<\/strong>&nbsp;formy a zp\u016fsoby motivace student\u016f \u2013 budouc\u00edch pedagog\u016f klav\u00edrn\u00ed hry. Sestaven\u00ed pl\u00e1nu u\u010diva v p\u0159edm\u011btu Metodika klav\u00edrn\u00ed hry a vytvo\u0159en\u00ed ot\u00e1zek ke komision\u00e1ln\u00edm zkou\u0161k\u00e1m na konzervato\u0159i \u010di ke st\u00e1tn\u00edm zkou\u0161k\u00e1m na pedagogick\u00fdch fakult\u00e1ch. Soudob\u00e1 i historick\u00e1 \u010desk\u00e1 a zahrani\u010dn\u00ed studijn\u00ed literatura v oblasti klav\u00edrn\u00ed pedagogiky. Mo\u017enosti, formy a kombinace zp\u016fsob\u016f organizov\u00e1n\u00ed Vyu\u010dovatelsk\u00e9 praxe.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>*Metodika p\u0159edm\u011bt\u016f D\u011bjiny a literatura klav\u00edru, Improvizace a hra z listu, Interpreta\u010dn\u00ed semin\u00e1\u0159, Doprovod \u2013 korepetice:<\/strong>&nbsp;Srovn\u00e1n\u00ed u\u010debn\u00edch osnov a pl\u00e1n\u016f u n\u00e1s a v zahrani\u010d\u00ed, po\u017eadavky ke zkou\u0161k\u00e1m a k absolutoriu. Odborn\u00e1 literatura k metodice a n\u00e1plni v\u00fduky uveden\u00fdch p\u0159edm\u011bt\u016f. P\u0159\u00edprava studenta k dal\u0161\u00edmu sebevzd\u011bl\u00e1v\u00e1n\u00ed v profesion\u00e1ln\u00ed praxi. (rozsah: 20 hodin)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Didaktika klav\u00edrn\u00edho um\u011bn\u00ed:<\/strong>&nbsp;studium modern\u00ed literatury z oblasti teorie klav\u00edrn\u00ed interpretace. Anal\u00fdzy klav\u00edrn\u00edch skladeb z kmenov\u00e9ho reperto\u00e1ru konzervato\u0159\u00ed. P\u0159\u00edprava na ve\u0159ejn\u00e1 vystoupen\u00ed a sout\u011b\u017ee. P\u0159\u00edprava k vysoko\u0161kolsk\u00e9mu studiu klav\u00edrn\u00ed hry. Anal\u00fdza skladeb a diskuse o z\u00e1znamech v\u00fdkon\u016f student\u016f konzervato\u0159\u00ed a vysok\u00fdch \u0161kol. Rozbor zp\u016fsobu pr\u00e1ce vynikaj\u00edc\u00edch pedagog\u016f ve v\u00fduce i p\u0159i jejich p\u016fsoben\u00ed na interpreta\u010dn\u00edch kurzech. Odborn\u00e1 diskuse k aktu\u00e1ln\u00edm ot\u00e1zk\u00e1m oboru.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Podm\u00ednky pro z\u00edsk\u00e1n\u00ed Osv\u011bd\u010den\u00ed o absolvov\u00e1n\u00ed kurzu:&nbsp;<\/strong>\u00fa\u010dast v p\u0159edm\u011btech evidovan\u00e1 v prezen\u010dn\u00edch listin\u00e1ch. Absolventi kurzu obdr\u017e\u00ed osv\u011bd\u010den\u00ed s vyzna\u010den\u00edm studovan\u00fdch p\u0159edm\u011bt\u016f, p\u0159\u00edpadn\u011b dosa\u017een\u00e9ho prosp\u011bchu p\u0159i z\u00e1v\u011bre\u010dn\u00fdch zkou\u0161k\u00e1ch, pokud o zkou\u0161ku po\u017e\u00e1daj\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kurz \u010d. 5 \u2013 Klub absolvent\u016f kuz\u016f MC \u2013 klav\u00edr (dvousemestr\u00e1ln\u00ed kurz)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kurz \u010d. 5 \u2013 Klub MC (d\u00e1le jen Klub) je ur\u010den pro absolventy kurz\u016f MC nebo pro poslucha\u010de MC, kte\u0159\u00ed by byly nuceni p\u0159eru\u0161it doch\u00e1zku do jin\u00fdch kurz\u016f MC z&nbsp;d\u016fvodu nemoci, mate\u0159stv\u00ed nebo jin\u00fdch z\u00e1va\u017en\u00fdch okolnost\u00ed. Poslucha\u010d&nbsp; Klubu m\u00e1 pr\u00e1vo v\u00fdb\u011bru \u010dty\u0159 konzulta\u010dn\u00edch dn\u016f za rok podle vlastn\u00ed volby (za ro\u010dn\u00ed poplatek 4000 K\u010d) krom\u011b zah\u00e1jen\u00ed, kdy je z organiza\u010dn\u00edch d\u016fvod\u016f \u00fa\u010dast poslucha\u010d\u016f Klubu nutn\u00e1. Celkov\u011b tedy obsahuje p\u0159edpokl\u00e1dan\u00e1 prezence v tomto kurzu p\u011bt konzulta\u010dn\u00edch dn\u016f se zah\u00e1jen\u00edm v\u010detn\u011b. Poslucha\u010d Klubu si m\u016f\u017ee objednat individu\u00e1ln\u00ed konzultace v&nbsp;p\u0159edm\u011btech nab\u00edzen\u00fdch v ostatn\u00edch kurzech za poplatek 500&nbsp;K\u010d za jednu hodinu. Mo\u017enost vyu\u017eit\u00ed studijn\u00edch materi\u00e1l\u016f z&nbsp;knihovny MC je v\u0161ak omezena pouze na prezen\u010dn\u00ed v\u00fdp\u016fj\u010dku v&nbsp;r\u00e1mci jednoho konzulta\u010dn\u00edho&nbsp;dne. Rozsah hromadn\u00e9 v\u00fduky v tomto kurzu lze \u010derpat a\u017e do v\u00fd\u0161e 50 hodin za rok, individu\u00e1ln\u00ed v\u00fduka je voliteln\u00e1, proto z\u00e1vis\u00ed na volb\u011b po\u010dtu hodin objednan\u00fdch poslucha\u010dem po schv\u00e1len\u00ed p\u0159\u00edslu\u0161n\u00e9ho vyu\u010duj\u00edc\u00edho pedagoga. Po spln\u011bn\u00ed prezence je vystaveno poslucha\u010d\u016fm tohoto kurzu ka\u017edoro\u010dn\u011b Osv\u011bd\u010den\u00ed s vyzna\u010den\u00edm po\u010dtu absolvovan\u00fdch hodin.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Individu\u00e1ln\u00ed p\u0159edm\u011bt:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Hra na cembalo:<\/strong>&nbsp;poskytuje poslucha\u010d\u016fm mo\u017enost sezn\u00e1mit se se specifickou cembalovou technikou a historick\u00fdm prstokladem. Poslucha\u010d pozn\u00e1v\u00e1 artikula\u010dn\u00ed, zvukov\u00e9 a dynamick\u00e9 mo\u017enosti n\u00e1stroje. D\u016fraz je kladen na p\u0159izp\u016fsoben\u00ed \u00fahozu na jemnou historickou mechaniku cembala a jin\u00fdch historick\u00fdch kl\u00e1vesov\u00fdch n\u00e1stroj\u016f. Studium se zam\u011b\u0159uje na pozn\u00e1v\u00e1n\u00ed, anal\u00fdzu, diferenciaci a osvojen\u00ed spole\u010dn\u00fdch a rozd\u00edln\u00fdch vlastnost\u00ed techniky hry na historick\u00e9 kl\u00e1vesov\u00e9 n\u00e1stroje a modern\u00ed klav\u00edr. Student pozn\u00e1 nejspecifi\u010dt\u011bj\u0161\u00ed cembalovou literaturu, p\u0159edev\u0161\u00edm reperto\u00e1r anglick\u00fdch virginalist\u016f a francouzsk\u00fdch clavecinist\u016f. V\u00fduka uvede studenta do problematiky dobov\u00e9 estetiky a hr\u00e1\u010dsk\u00e9 praxe. B\u011bhem studia se poslucha\u010d sezn\u00e1m\u00ed se specifick\u00fdmi znaky ornamentiky v z\u00e1vislosti na n\u00e1rodn\u00edch \u0161kol\u00e1ch s akcentem na jej\u00ed aplikaci na studovan\u00fd reperto\u00e1r. Student m\u00e1 mo\u017enost pozn\u00e1vat r\u016fznorod\u00e9 styly historick\u00e9ho reperto\u00e1ru a p\u0159izp\u016fsobuje svou techniku dan\u00fdm historick\u00fdm n\u00e1stroj\u016fm. D\u016fraz je kladen na mo\u017enost zp\u011btn\u00e9 vazby a vyu\u017eit\u00ed z\u00edskan\u00fdch poznatk\u016f ve v\u00fduce a interpretaci star\u00e9 hudby na modern\u00ed klav\u00edr. Seznamuje se z\u00e1kladn\u00edm zp\u016fsobem hry gener\u00e1lbasov\u00e9ho doprovodu a z\u00e1kladn\u00ed improvizac\u00ed \u010d\u00edslovan\u00e9ho basu.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>P\u0159ehled kurz\u016f Metodick\u00e9ho centra Frekventanti kurz\u016f MC maj\u00ed pr\u00e1vo po\u017e\u00e1dat sv\u00e9ho zam\u011bstnavatele o \u00fahradu poplatk\u016f za kurzy DVPP Z\u00e1kladn\u00ed kurz: N\u00e1sledn\u00e9 kurzy: Poradensk\u00e1 \u010dinnost MC Pro pedagogy a studenty, kte\u0159\u00ed nejsou frekventanty \u017e\u00e1dn\u00e9ho kurzu MC HF JAMU, \u010din\u00ed poplatek za individu\u00e1ln\u00ed lekci 600 K\u010d. Z\u00c1KLADN\u00cd KURZ Kurz \u010d. 1 \u2013 Sou\u010dasn\u00e9 trendy klav\u00edrn\u00ed pedagogiky a &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/pianissimo.cz\/?page_id=308\" class=\"more-link\">Pokra\u010dovat ve \u010dten\u00ed<span class=\"screen-reader-text\"> &#8222;P\u0159ehled kurz\u016f MC&#8220;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-308","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pianissimo.cz\/index.php?rest_route=\/wp\/v2\/pages\/308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pianissimo.cz\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pianissimo.cz\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pianissimo.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pianissimo.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=308"}],"version-history":[{"count":4,"href":"https:\/\/pianissimo.cz\/index.php?rest_route=\/wp\/v2\/pages\/308\/revisions"}],"predecessor-version":[{"id":353,"href":"https:\/\/pianissimo.cz\/index.php?rest_route=\/wp\/v2\/pages\/308\/revisions\/353"}],"wp:attachment":[{"href":"https:\/\/pianissimo.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}